July 31, 2013

The Independent on Sunday axes all of its arts critics

by

The Independent on Sunday has silenced its critics

The Independent on Sunday is to lose all of its art critics as of September, as the newspaper makes a series of cuts. Although the paper’s editor, Lisa Markwell has insisted that the paper will still feature the arts, its arts section, ‘The Critics’, will be renamed and will no longer be led by review coverage. The newspaper’s music writer, film reviewer, theatre critic, visual arts critic and music critic are all confirmed to be leaving the paper in what is a staggering blow for review coverage in Britain.

The critics and their readers have taken to Twitter to discuss the news. In an exchange with another writer, theatre critic Kate Bassett tweeted:

When Art Critic Charles Darwent announced the news, he reminded his followers of just how long he’d been at the paper:

He later joked about his job prospects, responding to well-wishers:


Darwent, and his colleagues seem rightfully concerned and confused about what to do next, and their reactions underline the fact that for these arts critics, and others who might meet the same fate, the number of similar positions available to them are quickly narrowing in an industry looking to save money. The Times’s literary editor Erica Wagner, was also made redundant last month, showing that even the highest and most seemingly established positions in arts criticism have now become precarious.

Such is the fate of Tom Sutcliffe, the Independent’s very first Arts editor, and up until recently a columnist at the paper. He tweeted:

His light-hearted tweet which referenced his ‘long marriage’ with the paper demonstrated that with the departure of these critics, the Independent on Sunday — and other newspapers are sure to follow— will lose the immeasurable expertise of writers who have dedicated their careers to arts coverage, and who know their subjects inside out.

And with these positions gone, it isn’t clear how a culture of thoughtful and professional criticism will be sustained, nor how a younger generation of critics will find their way.

 

 

Zeljka Marosevic is the former managing director of Melville House UK.

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