March 20, 2017
Please, Please, Please, Let Me Print What I Want: Morrissey’s James Baldwin merchandise
by Ryan Harrington
Donning my lintless white cotton gloves and taking to the MobyLives archive, I find a surprising many articles about Morrissey (Steven Patrick Morrissey to those as close to him as we are, and the melancholy melodramatist who lead The Smiths for those who aren’t). We’ve covered his literary debut’s immediate canonization, we’ve written him supplicatory letters , and considered his place in erotic fiction. Hell, one of the only people we’ve written more about is James Baldwin.
So consider this news item the literary equivalent of hot fusion, or, for our MBA-equipped readers, synergy.
For his upcoming tour (insofar as any Morrissey tour actually happens) Moz has printed shirts with the classic Smiths lyric, “I wear black on the outside / ’cause black is how I feel on the inside,” encircling the handsome face of James Baldwin (famous participant in Melville House’s Last Interview Series).
Those lyrics next to that image makes for a strange and fraught literalization of an otherwise relatable poetic sentiment — and the music blogs are not really digging it. Some outlets have called it straight-up racist.
I applaud Moz’s recent lampooning of America’s most lampoonable executive, and I appreciate the dulcet tones in which he has critiqued this country’s imperialist aspirations. That is, I support his attempts to bring his considerable influence to bear on our considerable incompetency. We know, and Pitchfork reminds us, that the outspoken singer is a true and dear admirer of Baldwin’s work, saying “Moz is a big Baldwin fan, having written about his love for Go Tell It on the Mountain and The Fire Next Time author in his autobiography, and projected video of Baldwin during his stage shows on past tours.”
But this particular shirt is a regrettable misfire of internet mash-up culture, in which the curated mingling of disparate words and images devalue one another, rather than enrich one another.
No word yet on how Morrissey’s camp will respond to the controversy, but I won’t be holding my breath for an apology, explanation, or a recall, as one of the things that makes Moz Moz is his beatific imperviousness to bad press and public beef.
Ryan Harrington is an editor at Melville House.