“Nobody does troubled figures in a stunning landscape like Ben Myers. He’s a major force in the English novel and he gets better with every book.” Max Porter, author of Grief is The Thing With Feathers and Lanny
From a British literary sensation, the story of two rural outcasts and the crop circles they create over the course of a long, hot and very strange summer.
Summer 1989, rural England, the tail end of long decade of mass unemployment, class war and rebellion, and the continued destruction of the English countryside.
Over the course of a burning hot summer, two very different men – traumatized ex-soldier Calvert, and affable and chaotic Redbone – set out nightly in a decrepit camper van to undertake an extraordinary project. Under cover of darkness, the two men traverse the fields of rural England in secret, forming crop circles in elaborate and mysterious patterns, designs so intricate that they inspire the kind of awe that the ancient Gothic cathedral in nearby Salisbury once inspired.
As the summer wears on, and their designs grow ever more ambitious, the two men find that their work has become a cult international sensation – and that an unlikely and beautiful friendship has taken root as the wheat ripens from green to gold.
But as harvest-time beckons — and as media and the authorities begin to take too much interest in their work— Calvert and Redbone have to race against time to finish the most stunning and original crop circle ever conceived: the Honeycomb Double Helix.
Moving and exhilarating, and recalling the apocalyptic visions of William Blake, Alan Moore and Cormac MacCarthy, The Perfect Golden Circle is a captivating, tender and slyly witty novel about the power of beauty to heal trauma and fight power.
Praise for Benjamin Myers’s previous novels:
“This quiet, lyrical novel confirms a powerful new voice.” ―The Times
“This is a poetic book with a winning generosity of spirit, moving from a folksy celebration of the rural north to a revelation of the broader horizons that can come from reading and some serious culture.” ―Sunday Times
“It’s a poignant story, and Myers’ descriptions of the countryside are wonderful.” ―Mail on Sunday
“Every page is studded with descriptive jewels … Deeply attuned to the natural world … Poetic … This book is a sensual pleasure … It’s about the forever things: good food, and art, and friendship, and how those pleasures can redeem us, even during the harshest of times.” —New Statesman
“Quietly gripping … Written with Myers’s customary grit and brio … A welcome advance, one that sees Myers effortlessly extending his range.” —The Guardian
“One of the most interesting, restless writers of his generation.” ―Daily Mail
“In his varied, and often satirical, takes on an alternative English history, steeped in the mythic, folkloric and grotesque, Myers taps into a rich vein of Yorkshire gothic, both menacing and comically absurd, its register set somewhere between Ted Hughes, Emily Bronte and The League of Gentleman. The stories resonate most when his dark humour and lyricism combined.” ―Times Literary Supplement
“Benjamin Myers’ stories in Male Tears cut right to the heart of the matter. This is fiction to be taken in gulps of pleasure – full of fire and light, wisdom and violence.” —Rob Doyle
“One of the most singular, moving and crucial voices of our times.” —David Peace
“Powerful, visceral writing.” —Pat Barker
THE GALLOWS POLE
“One of my books of the year … It’s the best thing Myers has done.” ― Robert Macfarlane, Big Issue Books of the Year
“A windswept, brutal tale of eighteenth-century Yorkshire told in starkly beautiful prose.” ―The Guardian
“A brutal tale told with an original, muscular voice.” ―The Times, summer reads picks 2018
“A phenomenal and highly energised novel.” ―Sebastian Barry
”A queasily compulsive evocation of a wild and brutal Yorkshire landscape, informed and haunted in equal measure by the shades of Jimmy Savile and his monstrous deeds and the East Riding’s lost boy of crime fiction, Ted Lewis.” —Cathi Unsworth, author of Without the Moon and Weirdo
”Ben Myers is the master of English rural noir and with ’Turning Blue’ he has created a whole new genre: folk crime. It is by turns gripping, ghastly and unputdownable. I’m already looking forward to the sequel.”
—Paul Kingsnorth, author of The Wake and Beast
”Depraved and decadent … His prose is beautifully controlled and so graphic it’s impossible not to picture the scenes he conjures up in striking detail. There is no hiding from the darkness because the writing is so damned good.” —Val McDermid, The Guardian
“Pig Iron is an important book because it tells a story that has shaped all contemporary Western humans, but is routinely, inexplicably overlooked – the great move from agricultural life to industrial life. The respect in which that shapes human culture and individual humans.” —Deborah Orr
“Benjamin Myers’ influences are clear — David Peace’s northern brutalism is evident and there are suggestions of Salinger and Golding but Pig Iron’s savage vision is his alone.” ―Morning Star